One of the most powerful voices of her generation, she was chosen by the Utopik Ensemble in France to represent her country in a concert dedicated to the Mexican contemporary music.
Some of her most representative works are her Concerto for Clarinet and orchestra Ascenso al Celeste Her Double Concerto for piano, flute and orchestra (2012) and her chamber opera La Creciente (2015).
Her catalog includes works for solos, duets, trios, string quartet, chamber ensembles and symphony orchestra.
Her works have been performed in countries such as France, Germany, Spain, Brazil, Italy, Holland, Denmark, Japan, Canada, Holland, and the USA.
She has had an extensive collaboration with Spanish interpreters, including Alberto Rosado, Clara Andrada, the SIGMA PROJECT saxophone quartet, the Brower Trio of Valencia and recently with the Trio Arbós of Madrid.
Awarded by the Sistema Nacional para Cultura y las Artes (National System for the Culture and the Art) for the fourth time, she serves as a teacher of composition, analysis and orchestration at the Superior School of Music of the INBA (Nacional Institute of the Fine Arts).
During her musical training she studied with Marta Garcia Renart and Ana Maria Tradatti (piano), and with Arturo Márquez and Ana Lara (composition), as well as numerous courses in Europe with teachers such as Toshio Hosokawa, Klaus Huber, Mauricio Sotelo, José Manuel López López, Brian Ferneyhough, Chaya Czernowin, Theo Loevendie, etc.
Georgina Derbez's music is beautiful: Inside is refined, spiritual and of big and solid bones; On the outside it is gestural, sincere and always fun. Just like Georgina
– Carlos Sánchez Gutiérrez, composer
Georgina's music releases energy on all four sides. It is intense both in the luminous moments, which are many, as in the meditative ones, where it becomes poetry. It is a real pleasure to listen and, above all, to play her music.
– Alberto Rosado, pianist